ਵਾਰ ਮਾਝ ਕੀ ਤਥਾ ਸਲੋਕ ਮਹਲਾ ੧ ਮਲਕ ਮੁਰੀਦ ਤਥਾ ਚੰਦ੍ਰਹੜਾ ਸੋਹੀਆ ਕੀ ਧੁਨੀ ਗਾਵਣੀ ॥
vaar maajh kee tathaa salok mahalaa 1 malak mureed tathaa chandraharraa soheea kee dhunee gaavanee |

Vaar In Maajh, And Saloks Of The First Mehl: To Be Sung To The Tune Of "Malik Mureed And Chandrahraa Sohee-Aa"

ੴ ਸਤਿ ਨਾਮੁ ਕਰਤਾ ਪੁਰਖੁ ਗੁਰਪ੍ਰਸਾਦਿ ॥
ik oankaar sat naam karataa purakh guraprasaad |

One Universal Creator God. Truth Is The Name. Creative Being Personified. By Guru's Grace:

ਸਲੋਕੁ ਮਃ ੧ ॥
salok mahalaa 1 |

Salok, First Mehl:

ਗੁਰੁ ਦਾਤਾ ਗੁਰੁ ਹਿਵੈ ਘਰੁ ਗੁਰੁ ਦੀਪਕੁ ਤਿਹ ਲੋਇ ॥
gur daataa gur hivai ghar gur deepak tih loe |

The Guru is the Giver; the Guru is the House of ice. The Guru is the Light of the three worlds.

ਅਮਰ ਪਦਾਰਥੁ ਨਾਨਕਾ ਮਨਿ ਮਾਨਿਐ ਸੁਖੁ ਹੋਇ ॥੧॥
amar padaarath naanakaa man maaniaai sukh hoe |1|

O Nanak, He is everlasting wealth. Place your mind's faith in Him, and you shall find peace. ||1||

Sri Guru Granth Sahib
Shabad Information

Title: Raag Maajh
Writer: Guru Nanak Dev Ji
Page: 137
Line No.: 13 - 16

Raag Maajh

Raag Majh was composed by the Fifth Sikh Guru (Shri Guru Arjun Dev ji). The Raag’s origins are based in Punjabi Folk Music and its essence was inspired by the Majha regions traditions of ‘Ausian’; the game of waiting and yearning for the return of a loved one.The feelings evoked by this Raag have often been compared to that of a mother waiting for her child to return after a long period of separation. She has an anticipation and hope for the child’s return, although at the same moment she is painfully aware of the uncertainty of their return home. This Raag brings to life the emotion of extreme love and this is highlighted by the sorrow and anguish of separation.